![]() My only wish was that it was a bit faster than f/2.8 (especially for a prime lens). I knew something was different when I felt the concave front element of this lens. It produces very sharp images with it’s unique optical design. When it comes to image quality, this lens is spectacular. ![]() Autofocus is fast, silent, and accurate, as you can expect from a quality Carl Zeiss lens. The all metal construction on the Sony 35mm f/2.8 sturdy and has held up well to everyday use. The nifty little lens hood has a unique design that protrudes over the glass, allowing you to throw the camera in any bag without worrying about scratches on the front element. In terms of durability and handling, this lens is excellent. It works great for grabbing a quick photo of the kids doing something fun or taking on adventures in the mountains. I keep the Sony 35mm f/2.8 mounted on my camera hanging on a hook in the living room all the time. It can capture anything from portraits to landscapes, making this lens ideal for capturing everyday life. It adds so little weight and it almost feels like there isn’t a lens attached!įor shooting everyday subjects, 35mm is one of my favorite focal lengths. It is one of the best balanced lenses on the A7 series of cameras. My first impression was amazement at how lightweight and compact the Sony 35mm f/2.8 is. At just over 4 ounces and less than 1.5 inches long, it packs a punch in a tiny package! Either way, it’s always great to have some of those tricks up your sleeve.This ultra compact lens surprised me. For instance, if you’re using a prime lens with a maximum focal distance of 85mm, you can get up to 127mm with Crop Mode enabled, and the staggering 191mm with both Crop Mode and Clear Image Zoom.Įven though it’s not a perfect solution by any means, this technique is still a viable option when you want to get closer to your subject while shooting on the fly or you simply don’t have access to a proper telephoto lens. In the video, Brockhurst even breaks down how much more reach you attain with the suggested technique. Nevertheless, as long as you’re shooting 4K video in bright conditions, you should end up with footage that has virtually no loss in image detail. You will also notice a degradation in the camera’s low-light performance, even at lower ISO levels, so keep that in mind as well. If you opt for 1080p, you will notice a significant drop in quality, which may render this technique useless. Meanwhile, if you want to carry out this technique with a minimal quality loss, make sure you are shooting at 4K. Voila! Once you enable both functions, you’ll be left with an image that is zoomed in by 3x. Afterward, toggle the Clear Image Zoom and increase the zoom to 1.5x. Once you’ve created your shortcut buttons, the first step is to enable the APS-C Crop mode by pressing its assigned Custom Button. To do this, head over to the menu of your camera and under the second tab, go into the Custom Key Settings. Just make sure that while making these adjustments, the Zoom is set to Clear Image Zoom, not Digital or Optical. So, if you’re planning to use this method, you can assign both functions to a custom key on your A7III. Developed by Sony, the built-in functionality is an alternative to Digital Zoom that uses a smart algorithm to intelligently enlarge your image to create a narrower field of view. The Clear Image Zoom, on the other hand, is an ingenious method of squeezing an additional 1.5x zoom from your shot. In this case, however, it will be employed to get 1.5x closer to your subject. The former is typically used with full frame Sony cameras when using a lens designed for APS-C sensors. To get this added reach with your lens, you have to enable two features: APS-C Crop Mode and Clear Image Zoom. This technique utilizes some handy onboard features, which essentially allow you to turn your primes into zoom lenses. In the following video, you’ll find a way to get 3x more zoom when using a full frame lens with your Sony A7III. This would typically require the use of a separate telephoto lens, which many video shooters working on a shoestring budget may not be able to afford.įortunately, filmmaker Chris Brockhurst suggests a pretty neat solution that you might want to consider, especially when you are in a pinch. In some cases, however, you may want to get a much closer shot of a far away subject. If you’ve ever used a full frame camera like the Sony A7III, you’ll know that one of the biggest advantages of having access to such a large sensor is the fact that getting a wide field of view has never been easier. ![]()
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